The title refers to the Second Coming of Christ, as predicted in the Book of Revelation in the New Testament of the Bible. It depicts the return of Christ to conquer Satan and the forces of evil, before presiding over a thousand-year reign of peace on Earth.
The lyric opens with a typical Yeatsian
image: a falcon flying in ever-widening circles (the pattern of a gyre), now
tracing its widest circle and thus least subject to the control of the falconer,
a symbol of the breakdown of society and order. The phrase
"the ceremony of innocence" appears several times in Yeats' poetry
and generally refers to the rituals and symbols by which we live that give
meaning and stability to our lives.
The vision the speaker sees is an end of an
era, the Christian era that culminated in a scientific rationalism. A new
era is at hand (they come, in Yeats’s view every 2000 years).
Appropriately the speaker describes the new era as the Second Coming, a term
from the Book of Revelation that refers to the return of Christ after a time of
great upheaval and disorder. But this advent is not of Christ but of an
anti-Christ–a Sphinx that presumably held sway during the twenty centuries
before the birth of Jesus. Christianity is finished, the poem says, and
it will be replaced by some “pitiless” force that slouches toward Bethlehem to
be born.
The Sphinx has been
sleeping for the twenty centuries of the Christian era, the era that began with
a “rocking cradle” at Bethlehem. Now that rocking cradle is the Sphinx’s and
has vexed him to nightmare. The Sphinx awakens and will replace Christ as
the dominant force for the next historical period; its pitiless and blank gaze,
its roughness, its slouch suggesting the quality of the next two thousand
years, a nature completely antithetical to the values we currently hold
dear.
Many Yeats scholars
believe that this poem is specifically about the Russian Revolution of 1917,
also known as the Bolshevik Revolution, which resulted in a bloody seven-year
war that paved the way for the rise of the Communist party in Russia; it also
certainly has echoes of World War I, which rocked the world to its core. But
perhaps Yeats could see even further. Perhaps he could somehow sense the coming
of further wars and violences—World War II, the atomic bomb, technologies that
would reshape the world from the ground up. He knew the world would never be
the same after the 20th century, and it certainly is not.
Yeats gives a name to
this whole series of events, placing them under the umbrella of a "Second
Coming." But instead of a second appearance of Christ, this event will be
a birth of a creature as significant as Christ, who will completely alter the
state of the world just as Christ did—but who will operate in a completely
different way than the world has been operating since Christ arrived and
civilization began to form.
So the second coming
means the second coming of Christ. The state of the world points to the
possibility that some revelation, the Second Coming, a supernatural invasion,
is impending. Literally speaking revelation means the truths which man knows
only from God, The poet contemplates a revelation heralding the coming of an
age which will reverse all the achievements of the Christian era.
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